Wednesday, May 18, 2016

#CBR8 Review #12-14: Half Bad Trilogy by Sally Green

Half Bad. Half Wild. Half Lost.

It sets itself up to follow the usual young adult series storyline, yet there was something really intriguing about this series to me, and I absolutely devoured all three of the books as fast as possible. It might be that I’ve never really experienced the mythology of witches presented quite in the way this book does, which made it interesting to me. There is also such a survival instinct present in these books, and a connection to nature that is really beautiful, particularly in relation to the protagonist and his father.

I also appreciate how a lot of young adult books nowadays don't feel the need to shy away from serious topics or from things that are a little grim. Of course, that's not for everyone, and despite there being quite a bit of violence in these novels, I found that it worked well with the tone of the story and the themes present. Also, I think it was very much a stylistic choice of Sally Green to describe things in enough detail for the reader to imagine the world, but not in super intense descriptions. This may come across as simple in some regards, but I found that it worked in a lot of ways, given that I personally could then imagine the world and just how gruesome any violence was, in a way that worked best for me. I mean, we are all going to imagine the story differently in our individual minds anyways, there might as well be some leeway. The only time when this sometimes more simple writing may be considered too basic is when the protagonist describes things by saying, "it was good," or "we did things," etc, but I think that really reflects the way a character of that age would actually talk about things. I'm no better at describing stuff at times, either. Sometimes the most basic words are what's best in a situation.

But now that I have that preamble out of the way, let's actually talk about what this book is about. You know the YA drill: a government system with questionable practices meets defiance by a young person who somehow doesn’t fit (or refuses to fit) within the established system. In this case, this takes shape in the form of a Council of witches. White witches, to be exact, who run a council in England that governs the activity of white witches, and also hunts down black witches for capture and trial with a team of trained hunters (all of which are white witches). In some areas of Europe, black and white witches generally just have their own territories and leave each other alone, but of course the influence of the council and hunters extend to these other areas as the story in the Half Bad trilogy progresses. Some half-blood witches exist, though these are mainly half-human/half-witch (black or white). There is only one Half-White/Half-Black witch on record: Nathan, a teenage witch around whom the trilogy centers. (You see what I mean about the typical young adult trope of him being the different one who can therefore defying the current order of things? Don’t worry, he’s an interesting character and there are only a few hints of the “special snowflake” feeling in these books. At least, that’s what I felt while reading them). Nathan's white-witch mother died when he was young, after she had an affair with a powerful and fearful black witch, Marcus, whom fathered Nathan. Marcus has since been on the run, often leaving a trail of bodies in his wake, and never contacting Nathan. Meanwhile, Nathan lives with his white witch grandmother and three half-siblings, who were all fathered by another white witch that was killed by Marcus. For the most part, these family members do not resent Nathan or what has happened, as he is just a young boy who had no hand in what his father did. Though Nathan's one half-sister Jessica obviously hates him, and wants nothing more than to see him suffer. Other white witches that Nathan meets at school or at gatherings, etc, also do not seem to like him because of his parentage, and he has to put up with a lot of cruelty and harassment from other witches.

So that is the setup for Nathan and his background. But where does the action begin? I'm going to give a preemptive *spoilers warning* for everything following, though I will try and be as vague as possible for most of it.
Being that Nathan is the only half-black/half-white witch on record, the Council obviously wants to keep tabs on him, as a way to make sure he can fit into white witch society, and not turn "too black". At least, this is what they say, as Nathan endures assessments year after year and is repeatedly asked about his father, whom Nathan soon realizes the Council wants to track down to kill, given his power and brutal track-record of killing other witches. Basically, the council wants to use Nathan as a tool to capture his father, despite Nathan having never met him. This results in some harsh activity from the Council, including imprisonment and training Nathan to be a fighter for their desires. Of course, because of his treatment throughout the years, Nathan has come to his own conclusions about the Council, and even who he is or where he fits in society. And you can be sure that he doesn't want to comply with everything the Council says, nor to do a lot of other witches (black witches, most notably, but some white witches have also faced poor treatment from the council as well). This ultimately leads to exactly what you might imagine: resistance from Nathan, fleeing the Council, meeting up with others who do not approve of what is going on with the treatment of various witches, and inevitable war and fighting. Nathan makes some serious enemies along the way, as well as some great friends and allies who play major roles in the outcome of everything.

Those are the basics for the premise though I must admit, a lot more happens in these novels than I was expecting, in terms of both where Nathan ends up and the different relationships that occur and change as time progresses. And with everything that happens, I love Nathan as a character in that he goes through so much, is such a survivor, and yet is given room to be angry: I feel like a lot of the time, the center of a story or the hero people look to has a particular persona and demeanor, but given everything that has occurred in his life, you would expect Nathan to be angry, and he really is, and in fact at times he is a bit unlikable, yet you still want him to come out of this and be fine. His past and what occurs may explain why he is the way he is, but Nathan himself often recognizes that what he does is not right; he may claim that his actions are out of necessity, but there is a conscience and there is hate and a lot of strong emotions that really are present in anyone's life, not just those of a teenager.

Along those lines, something that I also really liked in the last book of this series was the presentation of certain relationships with Nathan, given his personality and all that he strives to do in his anger. One character in particular who loves Nathan deeply wants to follow Nathan and support him in everything, yet does talk about how he doesn't particularly like Nathan at some times. It is a great illustration of the fact that you can love someone and support someone, while still not agreeing with them completely, and in fact even hating them or not liking them at times. There are times when you just need time away from people, even if you love them; you can love someone while still disliking them at certain times. 

I will also mention that I enjoyed how witch "gifts" and their powers were presented in this book. I have not read too many books focused on witches before, so I don't know what a lot of worlds do in terms of their witch mythology, but this one seemed to work really well in terms of how things played out in the novel. These witches do not have their "gift" or power until they reach the age of seventeen (though some do develop the ability to heal themselves before this age). At the age of seventeen, a witch must go through a giving ceremony, which involves the presentation of three gifts to the young witch, and the drinking of blood from an older relation who has already developed their power. From there, a young witch may take some time to determine what particular skill they have inherited. Many times, particular gifts run in families, or they are related to the witch's personality in some way. These may include anything from: potions skills, weather control, shapeshifting, invisibility, being able to immobilize people through sound waves, stopping time, having protective metal skin, or anything else you can imagine, really. Some gifts are obviously more rare than others, but there is such a wide range presented that really anything is possible, and particular gifts may even manifest differently in different witches depending on how they personally apply them. I liked that concept a lot, and was always interested to hear about more and more gifts, even imagining what my own would be (which is always a fun game, kind of like the "if you were an XMen what would your mutation be?" question I always pose to people or no reason whatsoever). 

But now that I've gone on a big sprawl of the things I enjoyed about this series, let us touch on those things that I didn't. First and foremost, there were a lot of characters who we didn't get to spend too much time with, seeing as they died not long after meeting them. Particularly powerful female witches, who were incredibly intriguing and I wanted to know more about them! But alas, they disappeared too soon, and some of them just when I was starting to like them or really want to spend some time with.

Also, while I really enjoyed the progress and overall story of these novels, and can understand why everything that happened happened, something about the ultimate ending just doesn't entirely jive with me. I think that may be a personal feeling of mine, but something at the end just seemed a little out-of-character for a few of the characters. I think the biggest thing was how little of a role Nathan's brother, Arran started to play in his story, and how disconnected they started to feel near the end. Maybe I just thought Arran would end up being a bigger part of everything than he was, and found there to be a shift in Nathan that was warranted but still felt maybe a little... stilted? Not entirely organic? I'm not sure, it might just be me on that one.  

But you know what? It's time to wrap this up. This book gave me feelings and I loved it. I love YA literature, and really enjoyed this series because it wasn't hard to read but still engaging and dipping into some great themes throughout. The pace of the narrative may zip at some points and then slow down at others, yet the pace with which I read it didn't shift one bit. I can't wait until my friend who initially got me to read this series finishes the last book (I overtook her in the reading of the final novel as she's been busy lately) because I need to DISCUSS THINGS that I know she will have strong feelings about as well. So basically, if you like YA series, don't mind the typical premise of them with the obligatory supernatural factor, and like engaging in well thought-out worlds that are still somehow related to our own, then I would definitely give the Half Bad trilogy a look. I certainly plan on rereading them at some point in the future. 

[Be sure to visit the Cannonball Read main site!]

Sunday, May 15, 2016

#CBR8 Review #11: Kings Rising (Book 3 of the Captive Prince Trilogy) by C.S. Pacat

After finishing the second book in the Captive Prince series, I scoot right along to dive into this one, rather than taking a break such as I had between the first and second books. And I definitely think that that was a good decision on my part, as I could basically just keep the action going and not forget any plot-points, characters, or intricacies, as there are many within these last two books. 

I must say that I ended up liking this trilogy a lot more overall than I initially thought I would after reading the first novel. I still wouldn’t say it is my favourite, as there are some things about the world in general that make me a touch uncomfortable. That is to say, being that these books are largely centered around the position of sex slaves, that can be a tricky subject to approach to begin with. Albeit, I think illustrating how uncomfortable and gross the world of slavery is (sexual slavery specifically) was the intent of the whole thing, and the author definitely tried to address this in a way that would show it in a negative manner, but at some points it was just a little hard for me to get around.

The plot and intrigue involved in it, however, was incredibly interesting and twisty, and sometimes I even had a hard time wrapping my head around it, but that made it all the more enjoyable, trying to work everything out and keep up with the clever characters. The political stuff in these books was definitely the high-point for me, which is unusual given that I knew going in that there was a romance involved, and that is usually what I like. But more on that later…

So here we are going to give a little *spoilers warning* for the remaining discussion of plot, etc. So turn back now if you don’t want to know! (Though I will try to be as mild with my spoilers as possible?):

Kings Rising begins where the previous book in the trilogy, Prince’s Gambit, left off. Prince Damen’s identity as the former prince/king of Akielos has been revealed, as a coalition is being made between troops from both Akielos and Vere, to go against the Regent of Vere and usurper king of Akielos. Prince Laurent, to whom Damen was acting as the bed slave of, is in the midst of a vicious plot and game of tricks with with uncle, the Regent, and Damen being sent to him as a sex slave is now known to be another piece of the overall puzzle that the Regent has set out to take over the prince’s position and rule Vere. Yet, as it turns out, Laurent was aware of Damen’s identity the whole time: he knew that this was the prince who had killed his brother years ago, and so the relationship between the two and every interaction that took place over the course of the past two novels suddenly takes on all kinds of new meaning. There were so many layers we were not aware of until now, and honestly just the revelation that Laurent knew who Damen was as their relationship developed as it did was a turning point for me.

Actually, the real turning point for me in looking at their relationship—which had previously been a serious sticking-point for me—was a moment where the two just go at it and let everything out and straight up fight. Because up until now, everything had been so cloaked, hidden, and controlled, much like everything about Laurent’s personality. And sometimes you just have to let things rip in order to move forward or get to a new place in a relationship; sometimes you just have to beat the shit out of each other (#CivilWar???) I mean honestly, everything in these books is so veiled and presented under layers of disguise and insinuation, that sometimes I got uneasy with how tense and inscrutable everything was, but once these two guys just had their super intense fight and let their emotions out, I suddenly felt like I could get more on board with it. I may not be 100% sold on their relationship, but I was getting there near the end of this final book in the series.

So overall, I have definitely come around quite a bit on the Captive Prince trilogy. I don’t know that I would read it again (at least not right away), as it is not my favourite and there was some pretty uncomfortable stuff throughout. I’m not saying I need everything to be good and easy all the time, that’s not it at all. I actually don’t know how to explain it at this moment… But in general I found that the plot was engaging, particularly once removed from the court of Vere to focus moreso on the political aspects of ruling and the twisted game between Laurent and the Regent, all while Damen is thrown into the mix. I don’t know that I’ve really read anything like it before, so it was definitely interesting in that regard.

[Be sure to visit the Cannonball Read main site!]

Thursday, May 5, 2016

#CBR8 Review #10: Prince’s Gambit (Book 2 of the Captive Prince Trilogy) by C.S. Pacat

After reading the first book of the Captive Prince series, I was not exactly sold on it, and considered just stopping there. But after a little commenting back and forth with Narfna (aaayooo!) who had indeed read the rest of the series, I was convinced to keep going. And you know what, it has definitely improved and peaked more of my interest. There are still some things that I’m a little unsure of or uneasy about, but I am beginning to see a bigger picture that makes me want to know how everything is going to wrap up in the final book. Some of the “inevitabilities” and other things that I predicted in the first novel have indeed come to be, but there is still a lot that leaves me wondering, as this second book in the series was a lot more plot-driven and filled with so much political intrigue and interplay that I would never have anticipated (much like our protagonist Damen did not anticipate himself either?)

The previous novel in the series focused on Prince Damen of Akielos, who had just been usurped by his brother and sent to be a slave for the Prince of Vere, Laurent. Vere and Akielos have had a longstanding conflict, but at the current time there is tentative peace and treaty action. Regardless of this, Damen has been in danger trying to keep his identity secret, as he knows that if his true identity is discovered in enemy territory, this would likely be the end of him. Yet over the course of the novel, the cold as ice Prince Laurent has slowly come to trust Damen’s judgments and values his knowledge of Akielos, which may come in handy for him as he faces conflict with the King Regent (Laurent’s uncle) which is playing a game in attempts to garner himself more power.
 Where this second novel begins is exactly where the previous one left off, and I’m just going to go ahead and give a *spoilers warning* for everything following this point, though they will be very mild (at least I think they are mild):

Laurent and his troops are now riding to a fort which Laurent has command of for some patrol duties, at the insistence of Laurent’s uncle. Damen is coming along, as he knows some of the area near Akielos in the south of Vere better than most of the other men. Laurent and Damen, having spent so much time together begin to trust one another slowly, as they try to keep control of an unruly and little-trained group of soldiers who were given to Laurent by the Regent in a very strategic manner. In essence, this novel is entirely a huge game of chess between Laurent and the Regent, trying to constantly outmaneuver the other. Both slip back and forth between having the upper hand, and Damen is always the last to figure out the strategy upon strategy, which sometimes made it a little confusing for me as the reader, always being one step behind everyone else. It also does not help that I had taken a bit of a break between this novel and the last (reading a few in another series that I hope to finish and review altogether soon!), so I had forgotten a few of the characters names and positions, and therefore their importance in certain regards. That was my mistake, as I think it would be better to keep reading these all through as one, as they do continue on as one big story from one book to the other.

The political intrigue and movement of the army, including a few different battles makes this novel a lot more plot-driven than the previous one, so while there was a bit more confusion on my part, it was also a lot more interesting to see where everything was going to go next in terms of action. The setting was also removed from the atmosphere of the Vere court which improves things significantly for me, as the culture there made me a little uncomfortable in the previous novel. While I do think there is likely an end-game to this, or message regarding how normal things can seem when you are brought up in a particular culture, at the time it just came across as shocking for the sake of it.

Yet there was still a lot of unnerving tension, sexual violence and manipulation that makes me a tad uneasy in this novel as well, particularly in regards to the treatment of the young Aimeric, and also how is always so calculating in all of his moves. There is such a coldness and manipulative nature there that makes it hard for me to like him, even though his hard exterior does come down at some points. It is because of this that I am still conflicted about the relationship between Laurent and Damen (which I had thought was pretty inevitable to develop in the previous novel, even though I did not enjoy the prospect of this one bit). I can see how they could come to know each other and trust each other easily after spending so much time together, but Laurent is always so cold and has so much hidden that it’s hard to know what is honest and what it strategy. It is clear that he has suffered in his life at the hands of his uncle but there is still such a sting to everything he does and it’s hard for me to get past some of his actions (as well as those of Damen) to truly be okay with them coming together. But I guess that is kind of the point: they both have a lot of baggage and conflict between them that it’s hard for them to come to realize and accept how they feel about one another. And of course, Damen, from whom we get the point of view of the book, does not have all of the information at any given point, which makes it hard to know what exactly is true, exaggerated, or entirely at play at any given time.  

And so, I am definitely going to find out what happens at the end of this series! There is just so much interplay going on with double-cross over double-cross and strategy after strategy. So while I am perhaps not entirely sold on some of the relationships and interplay with characters, I am quite engaged now by the overall plot and want to see how this all plays out.

[Be sure to visit the Cannonball Read main site!]

Monday, April 11, 2016

#CBR8 Review #09: Captive Prince #1 by C.S. Pacat

I got about a third into the second book in this trilogy when I realized that I really did not care enough to finish it, despite zipping right through the first book to see what direction it was going to take. Turns out, I don’t seem to like the direction that things appear to be heading in (I mean, I can’t know for sure, but I have a pretty good idea based on some spoilers/stuff from fans that have popped up on my tumblr dash, which is where I first heard about this series to begin with). Consequently, I am jumping ship for a few reasons.

The Captive Prince trilogy is about a young Prince of Akielos named Damen, whose half-brother desperately wants the throne to the kingdom. So much so, that he announces Damen’s death, and sends Damen off to be a palace slave in Vere, a country that has had a long-standing feud with where Damen is from. This is supposed to be a sign of peace between the nations, as new treaties between them have just been signed. But Damen knows that if anyone were to discover his identity in this enemy territory, he would be dead. The rest of the tale focuses on Damen coming to learn about the culture of Vere, in particular the culture of sexual slaves or “pets” for royalty. Damen has essentially taken up the spot of the pet of the Veretian Prince, Laurent, who is cold, cruel, and manipulative. Yet, other manipulations and jostling for power seem to be taking place in this nation, and Damen has now found himself swept up in it. Yet, his main goal of escaping and returning to Akielos ever remains.

The tensions within this book are very real, Damen himself is a likable character, and the plot has a lot of potential to be very interesting. And yet, I don’t think I can continue reading it, as there are a few things that are off to me. 

The first thing that I noticed in this book was that it began with a list of characters and what titles/positions they held: rather than introducing and explaining characters as they came, most (though not all) are simply referred to by name, almost as though you are expected to remember everyone after a brief glimpse at the character list. Being that I was reading this on an electronic reader, it would be an ordeal to flip back and forth to refresh my memory when new people came up, and because of that, I came to not deem a lot of the side characters to be memorable enough or important enough to stay in my mind as I did not really have an introduction to them. It’s a nit-picky thing, but I found it to be a little annoying. 

Apart from this little nuisance, however, there are other things about this series that I just can’t get my head around or come to enjoy. One of these things comes in the form of the cultures present in the book, in relation to slaves and what most societies today consider sexual crimes: the Veretian culture is brutal, and has sport essentially based on the act of rape. I know that this is put in the story to contrast Damen’s view of slaves (yet there are still things in the Akielan culture that is questionable), and I know that it is meant to be shocking and showing how being brought up in different cultures makes you believe in different ways of life. But just because something is shocking does not mean it is good writing. That is not to say that C.S. Pacat’s writing is bad, but that if you are going to use the potential your story has to try and create shock-value, there needs to be something else with substance behind it to back it up. And I just don’t know that there was enough other substance for me, personally.

Another facet to this book is that it is very character-driven, so not a whole lot “happens” plot-wise, though the character development and happenings of this book lead to a new setting and more action within the second book (at least, that’s what it seemed like in the little bit of the second novel that I read before stopping). Damen and Laurent are both incredibly interesting characters, and Laurent especially I wanted to know more about: why he is the way he is and what some of his motivations are. There are a few clues about this dropped out so I have some idea as to what some of his background might be, leading him to his current state and personality. There is definitely a lot of potential here to make it an interesting character story, yet despite all the drama and slow chipping away at characters, I feel like there are some inevitabilities that you can easily see coming as hints are placed along the way. This comes especially in the form of the relationship you see forming between Laurent and Damen: I can’t help but feel like there is going to be some reveal to Laurent’s past and motivations, and that the two are coming closer and closer, despite the cruelty and humiliation that Laruent has inflicted on Damen. But that line from Brooklyn-Nine-Nine rings in my head: “Cool motive, still murder.” And so, I just don’t want to see certain things come into fruition that I feel are inevitably going to happen. Of course, I may be wrong, but I don’t know if I really want to find out. Earlier I said that I was jumping ship, but it turns out I may just not be boarding one particular ship to begin with, if you catch my drift.

All in all, this book isn’t bad, but I there were just a lot of roadblocks stopping me from really enjoying it. And perhaps the remaining two in the trilogy have some surprises and twists in store. But there are just so many other things I would be reading and so many other characters I would rather spend time with than those in this world. Which is unfortunate, as I was really excited to get into this trilogy. Maybe I’ll try again another day, as there is definitely potential and some good things about The Captive Prince, just not enough for me to want to keep going at the moment.

[Be sure to visit the Cannonball Read main site!]

Thursday, March 31, 2016

#CBR8 Review #08: Seven Tears at High Tide by C.B. Lee

I’m just going to start this off by telling you that if you love beautiful, soft animation and art, you should definitely see the movie The Song of the Sea. It’s adorable and sweet, and has some of the most stunning background artistry I’ve ever seen. But now you may be wondering what that has to do with this book I’m about to review? Well, I was just reminded of the movie because both the film, and C.B. Lee’s Seven Tears at High Tide focus on the myth of selkies! In different regards, of course, but both are also super sweet little stories (almost too sweet at times, in regards to the book, but we’ll get to that).

I am actually currently in the middle of reading another trilogy of books, that are kind of dragging along for me at the current moment. And they are grim and somewhat brutal, so I just needed a break from that. At which point I picked up Seven Tears at High Tide, not realizing what an extreme shift in tone it would be from the other series I’m working on. It’s almost like night and day, to be honest, and this little young adult novel is quick, sweet, and full of young love. It’s not too complicated, and really harkens to that feeling of young innocence and love, to a point where it’s almost a little too cutesy at times, but hey! Sometimes you need that optimism and something light to break up certain a dullness or pretension in other things.

The focus of the novel is on two young boys: Kevin, who is a lonely teenager, trying to get over a recent rejection, and Morgan, a teenage selkie (a shapeshifter who can be both human and seal) who happens to become entangled in Kevin’s world. Kevin makes a wish to the sea for someone to love him for the summer, and the selkies, reading the trueness of his heart send along Morgan to be Kevin’s companion. Morgan is quick to announce his love for Kevin, and the two soon become quick friends and even boyfriends. There is an innocence to Morgan, as he has not really shifted into human form before, and he slowly learns the way of the human world and comes to love it. But, the summer only lasts so long, and the two must face the realization that Kevin’s wish was only for the summer, and Morgan is bound by some other laws of his supernatural world that he must abide by.

All in all, this book is quite simple and has some good parts to it, but also some things that didn’t work out entirely smoothly in my mind. One of the first things I think to mention is Moran’s innocence and adorable bright-eyed nature as he learns about the human world. It’s very cute and I am glad people are so gentle with him, but I can’t help but wonder if a lot of people would actually just think he’s a weird kid? It’s lovely how people just react as though he has been sheltered, but I also found it a bit cloying at times, and I feel like Morgan’s nature might start to annoy people after a while? Maybe that’s just me.

I also found that Kevin’s idea of love, romance, and relationships is very in line with the idea of young love: someone to cuddle and kiss and hang out with, watching movies and looking for rocks together. This is truly sweet and they clearly care about each other, but I do take note that the idea of love presented is quite simple. And perhaps this is in order to reach the younger audience who is the intended demographic of this book? I also very much appreciated that Kevin mentions that he is young and perhaps isn’t sure what love is at his age.

Another thing that I did like about this book is the presentation of Kevin’s sexuality: we learn early that he is bisexual and came out to his family and others the previous year. While this does cause some issues in terms of homophobic remarks and activity from some school mates, there is no point in the book where people refer to Kevin as “confused” or “going through a phase” or having “one foot still in the closet,” which are all common things to hear about bisexual individuals. That is to say, there is still that prevalent idea that this is not a “real” sexuality in some ways. And I could go off on this whole subject for a long time, but that’s another topic altogether. In Seven Tears at High Tide, the only comment anywhere close to that is when Kevin’s sister is telling him how proud she is of him, and that she never realized that bisexuality was a thing until he came out, but she didn’t really question it at all; in fact, she questions herself and her own identity more than anything. And I think that having this kind of simple representation is good in stories for young people, showing that hey, it is a thing and while of course Kevin’s identity is a part of his story, it is not his whole story. My tiny bi heart approves. 

Alright, now I’m going to warn about spoilers for this last little part I’m going to speak about:
Something that did bother me a little with this book was how everything played out at the en. There is mythology thrown in there regarding the selkies, and it essentially sets itself up like The Little Mermaid in that Morgan faces a choice near the end (yet, unlike The Little Mermaid, Kevin and Morgan have actually spent a good chunk of time getting to know each other and coming to have feelings for one another). Yet, this choice that is present is almost made to be null by a deus ex machina of sorts coming to play where Morgan is not forced to make a difficult decision. Things work out, and I do love myself a happy ending, but not if it seems like it was almost forced or contrived to happen, you know? It’s another thing that adds to the almost too-sweet and slightly juvenile feeling of this book. But as I think I’ve already said, this book is indeed aimed towards a young adult demographic.

All in all, Seven Tears at High Tide is a quick and simple little story about young love. It is very cute and I can see a lot of young people loving it. It was just a little cloying for my tastes at time, to the point where it became a tad too much. So I am not sure that I would read it again, but it was great as a little break from the other books I am currently trying to work through at this time.   

[Be sure to visit the Cannonball Read main site!]

Wednesday, March 16, 2016

#CBR8 Reviews #5-7: The Infernal Devices Trilogy by Cassandra Clare

Listen… Listen… Okay, just listen… I’m weak. I should know not to get myself into this cheesy nonsense, but good grief I do every time. Let’s follow the path that led me down this rabbit hole:

It all started in high school when my friends told me to read The Mortal Instruments series by Cassandra Clare, and boy howdy I really enjoyed them! Well, I never got around to reading the last two, but I really liked them. Then that HORRIBLE City of Bones movie came out based on the first book of the series and it was so unintentionally hilarious but also so cringe-worthy, I still can’t even understand it. And now there’s the Shadowhunters show on Netflix… and well… Like I said, I’m weak. And it’s so corny and a total thirst-watch at this point (y’all, the two they got to play the Lightwood siblings are both GORGEOUS and I’m sweating) but I really do enjoy it in all it’s cheesy goodness. But my friends started noticing in the show a lot of references to things in The Infernal Devices trilogy: a prequel to The Mortal Instruments series, set in the late 1800s and showing a number of the ancestors and history of the shadowhunters seen in The Mortal Instruments. My friends assured me that this series is totally better than the one from which it was spawn. And thus…. Here I am. And I totally did like them, despite predicting that I would be tired of the whole thing. Apparently, I am very much not!

In any case, let’s discuss what these books are about. And, mild warning: some spoilers as to the general outplay of the story will follow. The titles in order are: Clockwork Angel, Clockwork Prince, and Clockwork Princess:
It all starts with a young American woman named Tessa traveling to London after the aunt who she was living with dies. She is going to England to meet up with her brother who is currently employed there, yet is soon kidnapped upon arrival by two witch-like women, who train Tessa to discover a special ability she has. This is a world where most humans (unless they have “the sight”) do not know about another secret world amongst them: a world of demons, fairies, vampires, werewolves, warlocks, and those who are descendants of angels known as “Shadhowhunters”. Tessa is not human, but no one is really sure what she is. In any case, Tessa is soon found by a young shadowhunter named Will, and she is taken back to the London Institute of shadhowhunters, who fight demons and other downworlder creatures that do not abide by the peace treaties and laws that exist between them. It is found that a powerful man in the downworld called The Magister wants Tessa and her unique abilities for some sinister purpose, and Tessa thereby becomes a solid ally of the shadowhunters, effectively coming to live with them and be a part of their little clan in London (there are multiple institutes and groups throughout the world, as we may know from The Mortal Instruments, we well).

What follows is a tale of mystery, deception, betrayal, personal discovery, the bonds between people, magic and of course, romance. There are some pretty serious “love shapes” as I like to call them happening here, in particular one central triangle between Tessa, Will, and Will’s parabatai named Jem. And usually love-triangles bore me, but my goodness y’all, this parabatai thing… I love it. To be a parabatai with someone is basically to take a shadowhunter oath to be bonded with another shadowhunter in a deep and intimate way. It is like their souls are connected, and they can feel each other in battle, and when the other is hurt; they can take strength from one another, and will never take another parabatai even after one of them dies. So basically, Will and Jem love each other, and it is the truest, more pure kind of love that I feel in my soul. They are BROS FOR LIFE, and yet it’s heartbreaking because of certain circumstances of Jem’s existence and the course of his life. (Okay, so I basically fell in love with the character of Jem, and I feel like that is super predictable of me, and yet I walked right into it despite knowing it was going to be somewhat painful). And my solution to this painful love-triangle was to just have Tessa, Will, and Jem be in a polyamourous relationship, since they all love each other so much and so deeply (case: CLOSED!), but then two pages later I read that parabatai are forbidden for being romantically involved with one another by shadowhunter law. Soooooo… yeah, we had to scrap that one. And I do feel like there was a certain predictability to how this all played out, but  there were still a few surprises or interesting ways in which things progressed throughout. Actually, that’s how I felt about the book in general: there were some predictable facets, yet enough twists and new ideas to keep it interesting, without trying to throw too much crazy stuff into the mix from out of the blue in order to keep it engaging. I will, however, say that the epilogue really gave me mixed feelings: some of it was beautiful and sad and heartfelt and great, but some of it was kind of like, okay, I see exactly what you’re doing here and I ain’t entirely buying it.

But now, let me just do a little rundown of characters, because that’s really what kept me the most interested in this whole book. The characters are lovely, and while some of them aren’t the most original and maybe follow certain tropes, there are a few that had some nice storylines and character traits that made me really want to get to know them more and keep reading about them (in particular, Jem, Magnus, and Henry), though I do realize that I was imagining them to be a bit older than their character descriptions, and was always jolted a little when I was reminded of how old they really are. I find that I tend to do that with young adult novels though, despite my better knowledge and judgment. I don’t know why that always happens. But in any case, here are some of the major players throughout the series, with numerous other minor characters I have left out:

- Tessa Gray: Our main character, 16 years old, raised by her aunt, and the object of the Magister’s fancy due to some unique magical abilities she possesses. Sometimes quite at first yet speaks her mind with people, and is a big fan of losing herself in novels, often desiring to be like the heroines she reads about in books.
- Will Herondale: Young shadowhunter, 17 years old, who left his parents (one of which was an ex-shadowhunter) at a young age to live at the institute. Strongheaded and snarky, the brooding-type, with a secret he that keeps him from being close to anyone but Jem.
- Jem Carstairs: PRECIOUS CINNAMON ROLL, TOO GOOD FOR THIS WORLD. Originally from the Shanghai institute of shadowhunters, but moved to London after his parents died. Also 17 years old, and suffers from serious health issues which arose in relation to his parent’s death. Kind-hearted and a talented musician. Always able to add some ease to tense situations and a calming force for many in the institute.
- Charlotte Branwell/Fairchild: Head of the London institute, along with her husband, Henry. Somewhat of a mother-figure, who holds pride in her title yet is always willing to take in those who in need.
- Henry Branwell: The purest, more precious peanut. Married to Charlotte, and a little oblivious when it comes to people and relationships, but really a sweetheart when it comes down to it. A gifted inventor, creating tools for the shadowhunters to use, though many do not hold faith in his inventions after some of his endeavors have gone awry.
- Jessamine Lovelace: Another young shadowhunter who was taken in by Charlotte after her parents died. However, she is more interested in marriage, fashion, and living a human life in the city than being a shadowhunter and wants to leave the institute when she comes of age.
- Sophie Collins: A human (or “mundane” as they are called) who is able to see supernatural beings unlike most humans. She works at the London Institute and also longs to be a shadowhunter.
- The Magister: A real piece of work. The main antagonist, with a grudge against shadowhunters that has been enacted into a complicated plot of revenge against them.
- Magnus Bane: An immortal warlock that is an ally to the shadowhunters, helping them with magic tasks, healing, and gathering information about downworlders. Also present in The Mortal Instruments, and is usually played off as a bit quirky and free-wheeling, but is really a gentle soul who wants to help those that he can. He’s a fun character and I like him a lot.
- Benedict Lightwood: A fellow shadowhunter who yearns for Charlotte’s position at the institute and seeks to undermine her.
- Gideon and Gabriel Lightwood: Benedict’s sons who aid in the combat training of Tessa and Sophie, and become involved in some plots of blackmail and spying for other shadowhunters.
- Cecily Herondale: Will’s younger sister who trains at the institute, but wants nothing more than for Will to return home to their human life.

In any case, this is getting long now, so I’m going to try and wrap it up. While I am now less won-over by the cheesy young romances in most YA novels today, and found there were certain inevitabilities within The Infernal Devices trilogy along those common teenage romance lines, the relationships within the books seemed a less cringe-worthy than I remembered them being in The Mortal Instruments (we had no incest panic this time, thank goodness). So that was a positive thing. Honestly, I did enjoy this trilogy quite a bit, and read them all in one go! Is it a masterpiece of a trilogy? Not by any means. But it’s an enjoyable and not very difficult read. Plus, I’m absolute trash for this world these days, largely because of some pretty pretty faces that drew me back in via Shadowhunters. As I said… I’m weak. And that’s all there is to it.

I leave you now with some of said pretty faces. Yeah, okay, so only one of them is technically also a character in The Infernal Devices (my main man Magnus!), but this totally relates, right? It's like, science or something??

Are you ever disappointed in yourself for how predictable you are? You just gotta show me a guy with dark hair and a nice smile and I'm toast. 

GIRL LET ME TELL YOU... I'm actually pretty pleased with how they treat Izzy's fashion and body confidence in this show as just a cool part of who she is. Unlike the movie where they say nasty judgmental stuff? Not cool. Also DO YOU SEE HOW BEAUTIFUL???

Not to be "that girl" but is he going to dance at all, or what? Because you know I love me some dancing. Also his sparkly eye makeup is always SO on point. #LookGoals
One of the most chill werewolves I've seen lately, and I'm totally about it. 

[Be sure to visit the Cannonball Read main site!]

Sunday, March 6, 2016

#CBR8 Review #04: Chew, volume 8 – Family Recipes, by John Layman and Rob Guillory

I feel like I’ve said this before, but this is one of those series that for some reason I never really read back-to-back, but end up having long breaks in between picking up new volumes. Is this a good thing? I’m not sure, but fortunately, I don’t run into that problem I usually have of forgetting the plot or characters when I come back after some time, as John Layman makes sure to do small recaps of characters and their abilities as the story goes along. It really doesn’t take anything away either, as the refresher is good, and is always tied into what is currently occurring the plot, so as not to become a distraction or drag the action.

In any case, what we have in this 8th volume of the Chew series is Tony Chu using his ability of gaining a psychic impression of the past of anything he eats, as a way to contact his recently deceased sister. Meanwhile, Tony’s late sister, Toni, has the ability to see the future of anyone she bites. She has therefore used this gift to see her own future and death, and now holds information that Tony desires in order to catch Toni’s killer. So what does Toni do, to prepare for her death and her brother’s desire to avenge her? She leaves a toe behind for Tony to eat, as a way to contact her and gain any information she may have.

The whole thing is a real trip, honestly, but Toni is such a fun and erratic character that it makes it an absurd but hilarious ride. And with the exception of some side-plot action with Tony’s partner at the FDA, John Colby, this volume is not really heavy on plot-progression, so much as giving information and developing characters. And you know what? Sometimes that’s exactly what you need, and I really enjoyed this instalment of the story. The art style of Rob Guillory also definitely fits the kind of strange and humorous nature of the story, though at some times I wonder what exactly is going on with the bizarre proportions of his human characters. But overall, it works really well with the tone of the series.

Am I planning on continuing with it? Absolutely. But once again, it’s just a question of when I managed to get around to it (so many books and series, with so little time, you know?).

[Be sure to visit the Cannonball Read main site!]

Sunday, February 14, 2016

#CBR8 Review #03: Introduction to Art Therapy - Faith in the Product by Bruce Moon

I feel like at the stage that I am at in my art therapy program, it is strange to have to read a book with the words "Introduction to Art Therapy" in the title. Shouldn't I be past that? And I have indeed already been required to read a lot of other material by Bruce Moon in the same field. And yet, something about this book really helped at this point in my studies with concretizing some ideas for me that I have been presented with before, but have not yet really envisioned the practicalities or application of. If that makes sense? It also helps that Moon has a very straightforward writing style that captures the essence of what he is trying to say, without being too dry like many textbooks, or too abstract like I have actually found a number of the texts in art therapy in particular to be.

In this book, Moon essentially lays out some information on the development of art therapy in the US, briefly describes some of the major theorietical foundations within the field, and explains the fundamentals of the process of facilitating art therapy and healing through art. All of this is elaborated and enhanced by detailing particular case studies and individuals that Moon worked with that help to paint a picture of the process going on in creative therapies. His chapter specifically focusing on the fundamental values and concepts of the profession and practice of it was the one that I found to be most informative in a sense of truly presenting how he sees the core concepts of art therapy playing out and presenting themselves, which is something that I sometimes have a hard time wrapping my head around. What is mean is that a lot of the time I hear a concept or idea and think, "I understand the theory behind this, but what exactly would that look like??" It's sometimes hard to identify how things might actually manifest, play out, or show up in the therapy room. And of course, it is always very situation specific, which can make things tricky, but the way Moon explains things just makes more sense to me than when others try to describe or explain the same concepts. 

Overall, I would say that this book has been helpful to me as I begin my first practicum, and continue with my coursework. Would I read this book if I were not pursuing art therapy as a career? Probably not, and I'm pretty sure I say that with every textbook or school book I review. But this one wasn't so bad, and I actually think I might have to revisit a few chapters for another look as I continue. 

[Be sure to visit the Cannonball Read main site!]

Sunday, January 24, 2016

#CBR8 Review #02: The Secret History by Donna Tartt

I’ve been describing this book to my friends as “How to Get Away With Murder, but without Viola Davis.” Except, I’ve never actually watched How to Get Away With Murder, so I don’t think that’s accurate in the slightest. In any case, simply put this book is like a reverse who-dun-it: as in, we know that a group of students murdered one of their classmates right from the get-go, we just aren’t clear as to why or how this came to be.

The Secret History occurs through the eyes of protagonist, Richard Papen, who is a young student living on campus at Hampden College. Now, the one thing I couldn’t tell you is exactly what time period this occurs in: for some reason I couldn’t figure it out, but I think it’s the late-80s/early90s??? Just, the prices of things, the technology, the language, etc got me a little confused. But continuing on with the plot, Richard tells the story of how we wanted to study Greek at college, but the only way he could do this would be if he is able to integrate himself into a tiny class of 5 students, with an old teacher named Julian who is very selective of who he teaches and never really wants any more than 5 students. These students form the eclectic, eccentric little group that Richard soon calls friends: these 6 students hardly ever see anyone else besides their fellow Greek students. Richard quickly comes to adore his new friends, goes to the country with them on weekends, and essentially becomes a staple in their little lives. However, he is not as involved as he thinks he is, and some interesting acts behind the scenes start to break some of the ties between different characters in the story, inevitably leading to the decision that one of the students –affectionately known as Bunny—should be killed.

The main cast of characters in this little group of friends are all interesting and different, though at times they come across as quite spoilt, a bit pompous, and behave in pretentious ways or have somewhat bizarre and grandiose ideas that I can’t entirely wrap my head around. But, they all added a certain flavor to the story, which I enjoyed. I also ended up picturing them as certain actors in my mind, even if this didn’t entirely make sense at times? It was like a little movie in my brain, which can make things interesting at times. And easier to envision the characters, in some ways? In any case, the main group of students the story centers around are as follows:

Richard Papen: Our protagonist, and a young man who leaves for Hampden College as a way to escape his bored life in California. Richard works hard at his studies, and unlike many of his friends, actually has a job in order to make his own money. In my mind, Richard took the shape of Jessie Williams (specifically circa “The Sisterhood of the Travelling Pants” for some reason??)
Edmund “Bunny” Corcoran: The victim of the plotted murder. In my mind, the mere mention of a tweed jacket and floppy hair made me picture Bunny as Matt Smith’s Eleventh Doctor. Okay, that works. Bunny is a loud, boisterous young man, who has some issues with his studies and has a tendency to take advantage of his friend’s generosity. Prone to mood-swings and switching between being a fun-loving friend and insulting, it is sometimes hard to decide if Bunny is really all that bad of a person or not. Whatever the case, people tend to remember him.
Henry Winters: Who I would call the ring-leader of the small student group. He is always the one who the others go to as he always has a plan and an ability to keep calm and stoic in most situations. Actually, he seems pretty straightforward and stoic all the time, is incredibly intelligent knowing multiple languages and constantly reading and learning new things, and also has a great depth of wealth at his disposal from his family. Described as being a big young man with dark hair and blue eyes (plus his name is Henry), my mind automatically envisioned a young Henry Cavill in this part.
Charles Macaulay: One of set of twins, orphaned at a young age and raised with his hiss sister, Camilla, by their grandmother. Charles initially comes across as the most friendly and easy to talk to member of this small group, though he does appear to have a drinking problem that escalates with the events of the novel. Described in a none-too-specific way, except to say that he is blonde, I found myself picturing Bradley James, specifically with his Merlin hair.
Camilla Macaulay: Charles’ twin sister, and an object of affection of most of the males in the group, as well as others outside. Richard in particular becomes infatuated with her, though I couldn’t help but feel like she was somehow distanced from the others in certain ways, in a world of her own. In my mind, Camilla was pictured as a Teresa Palmer.
Francis Abernathy: Described as being somewhat fox-faced with firery red hair and quite fashionable, you’d think I would picture Eddie Redmayne in this part. It would only make sense! But no, a young Domnhall Gleeson took this spot, and I’m not mad that my brain made this decision. Francis was definitely a character that slowly grew on me in time. Also from a wealthy family, Francis seems to be a somewhat elusive member of the group to really understand, but is always there with a complaint, and a tendency to be overly dramatic (right down to his hypochondriasis).

Strangely enough, those characters I began the book liking the most, I soon came to like the least, and those who I liked the least to begin with I ended up being quite unhappy with at the end. I think that is a major part of the book itself, to be honest: the idea that we sometimes wear rose-coloured glasses when looking at or dealing with certain people, only to find that they are not who we once thought they were. Idealizing people can often lead us down paths we never wanted, or lead us with nothing but feelings of disappointment. Perhaps this book is telling me to look at people more objectively and to try and truly see them for who they are, rather than let me preconceptions or judgments (whether positive or not) cloud my vision in understanding them on more fundamental level. People are not always who we think they are or want them to be. Though in general, I can’t help but feel like all of the main characters in this particular novel are somewhat selfish and that I probably would not end up liking any of them very much if I knew them in real life. But from the distance of fiction? Certainly! 

Beyond these themes of relationships and the ways we see people, other themes that I found particularly interesting were the concept of appearances that the students hold in terms of their scholarly nature and wealth, the nature of parental figures, and the exploration of sexuality. While some were more in-focus than others, all added to the complexity of the book, to not just be about one single thing, and to make the characters feel somewhat more rounded in a some ways (Henry in particular, is a hard shell to really crack into, I find, and might almost come across as a caricature at times, were it not for certain aspects of his relationship with Julian that come into play near the end of the novel).

Overall, I found The Secret History to be engaging, even though at some points I found it to be a bit long. And yet, paradoxically, by the time the ending came around, I wanted there to be more. Regardless, even though I could not entirely grasp these student’s fascination with the Greek and some of their strange ways of life and romanticized views (hey, I like Greek history and mythology, but not to this extent), I thoroughly enjoyed this book. The writing wasn’t too simple, but also not overly stylized to the point where I got confused as sometimes happens. I honestly feel like this might be one of those books that I need to read a second time around, just to fully grasp the nuances of it and perhaps catch things that I didn’t the first time through. 

[Be sure to visit the Cannonball Read main site!]