Monday, July 14, 2014

#CBR6 Review #20: Leviathan by Scott Westerfeld

With accompanying illustrations by Keith Thompson, Leviathan is a young adult’s Steampunk mechanics vs. Biopunk Darwinists tale set within an alternate history of the initiation of World War I. And at the end of it I was thinking, “that’s it? That’s where you leave me?” only to be pleasantly surprised to discover that Leviathan is only the first in a series of novels (how I wasn’t aware of this before, I’m not sure) that I definitely plan on continuing with when I am able to.

The story begins with two separate focuses: Alek, the prince of the Autro-Hungarian Empire, on the run from the country that has turned on him with a small group of loyal men after his parents are assassinated, and Deryn, a young woman who disguises herself as a male in order to join the British Air Service. For the first half of the novel we see these two young people’s lives being swept into adventure and danger as the beginning of the war in Europe unfolds, and I kept wondering how their two paths would ultimately cross, where they eventually did. But the Austrians are what are known as “Clankers” and invested in creating mechanical war machines, while the English are “Darwinists” who biologically engineer animals and creatures for their usage: does this mean that these two young people will be enemies based on their national backgrounds, or unlikely allies due to the secrets that both of them hold?

The descriptions of Leviathan are vivid, making you feel as though you can really see and hear the strange contraptions and creatures presented, though Keith Thompson’s illustrations scattered throughout help to understand Scott Westerfeld’s vision of this world he has created. The illustrations are detailed and wonderful to see, and the story itself moves along at a quick pace, though I often found myself drawn far more to Deryn’s story than that of Alek’s, despite the fact that I sometimes found Deryn’s use of slang terms of her time/class to be a little over-used or unnecessary. Perhaps my preference from Deryn came from loving the feisty attitude she held, while Alek often seemed a bit too irritating and pompous for my tastes, though that definitely is an important aspect to the character.

Overall, however, and keeping in mind the fact that Leviathan was written to appeal to young adults, I definitely found myself enjoying it and wondering how exactly the reimagining of historical events would turn out. I guess the simplest way to describe this book would be to say that it was just a fun and easy read, with some interesting and creative visions thrown in there. Hopefully I can find and read the next in the series, Behemoth, soon!

[Be sure to visit the Cannonball Read main site!]

Friday, July 4, 2014

Some Drawings I've Been Working On...

Although I am also posting this over on my art blog, I am excited to be finished an art project I've been working on for a while (especially since I haven't had a whole lot of time to work on projects for myself recently)! And that project is a set of portraits of all the lovely young men in One Direction. Did I also mention that I'm going to Arizona to see them in concert for the first time later this year? I'm extremely excited for it! In any case, here is my completed project, though I still have to actually physically attach them in a single frame in order to put it up somewhere.


Each drawing itself is 3.6''x10'' in pencil, using various references (and you can see a somewhat closer look at each of them individually: here). 
So what do we think? Do we like them? Personally, despite the fact that I am always insanely critical about my own artwork, I'm pretty pleased about with they all turned out.

Wednesday, July 2, 2014

#CBR6 Review #19: Peter Panzerfaust, vol. 2 – Hooked by Kurtis J. Wiebe and Tyler Jenkins

It’s been almost a year (if not more) since I read the first volume in the Peter Panzerfaust series, which I absolutely adored! And so I had forgotten a few details about what actually happened in the previous installment. But once I got into it, I remembered quickly, and thoroughly enjoyed this second volume entitled “Hook”.

This volume includes issues #6-10 of the comic series, and picks up with one of the French orphans, Julien, at an older age; here, Julien recounts the tales of his group of brothers in war led by Peter, as they try to find and rescue their lost friend, Felix. Along the way, the group meets up with a French resistance, and joins forces with them. One of these French members is a young woman named Tiger Lily, who is tough as nails and Julien soon falls for. We also once again meet Kapitan Haken, whose encounter with Peter is very intriguing due to that which it seems to reveal, but also leave hidden about who Peter truly is.

All in all, this volume continues with an interesting take on the classic story of Peter Pan, but set during the Second World War. The drawings by Tyler Jenkins are energetic and engaging, and I thoroughly enjoyed the inclusion of some strong female characters in this volume. I just wish that each volume could be longer, so I guess I will have to try and pick up another one soon to keep going with these captivating characters.

[Be sure to visit the Cannonball Read main site!]

Wednesday, June 25, 2014

#CBR6 Reviews #17-18: More on Art Therapy...

I promise that I will read and review something different soon, I’ve just been very focused on my school readings right now. And so, here is some more on art therapy! And two very different approaches and focuses within the field at that:

- Studio Art Therapy: Cultivating the Artist Identity in the Art Therapist by Catherine Moon
- Introduction to Art Therapy: Sources & Resources by Judith A. Rubin

Judith Rubin’s Introduction to Art Therapy is just that: an overview of the different possibilities inherent in the field of art therapy, taking a look at the various pioneers of the field who contributed to its history and progression to today, as well as many of the different theories and practical models that may inform one’s practice. The book is a conglomerate of a broad scope of information, yet doesn’t go too in-depth in any particular area. Interspersed throughout, Rubin provides personal cases that she has faced with a number of clients over the years, showing how each client who receives art therapy is different, and therefore requires a sensitivity from the therapist as to which approach will work best for them. While interesting, I found the book to be a little thin in terms of providing just a quick glimpse of a wide range of topics and theories, without providing any true of understanding of any of them. But as a starting-point to possibly inspire more researching and reading into one of the many areas covered? That’s basically what I felt like I was getting into.

Catherine Moon’s Studio Art Therapy on the other hand, was presented as though the reader was already an art therapist (or someone studying art therapy) themselves. Although she clearly presented some of the practical and theoretical bases of the field and her practice, the majority of the book came across as a personal reflection of the importance of knowing the self before being able to help others or to sense what another may need. Many of the stories of clients and experiences Moon presents show how much she relies on her senses and being attuned to the situation and energy of those around her to determine what best to do in any therapeutic situation. Maybe coming across as a bit whimsical or metaphysical at times, I appreciated how sensitive Moon appears to be to others and their needs, as well as her own. This is definitely a skill that I am trying to work on in myself, particularly for my own future studies and (hopefully) work in art therapy.

At the end of the day, Judith Rubin’s introductory book might be good for someone who wants an overview of the field of art therapy, while Catherine Moon’s would be beneficial to those looking at practicing art therapy and being unsure as to how one might come to foster their identity as an artist, a therapist, or both.

[Be sure to visit the Cannonball Read main site!]

Sunday, June 15, 2014

Does the Quarter-Life Crisis Exist?

Or is it just the "emerging adulthood" stage of life where you are supposed to be moving into the world as an adult, and yet so many things keep you in a stage of dependency like a child?
Just like those hitting middle-age have a mid-life crisis where they yearn to hold on to something from their youth or do something rash in an attempt to not feel so old, maybe those in their late teens and twenties are the same: but when does this happen? After high school when people take a year off to travel and discover themselves? But more and more now due to certain pressures, teens are moving into college right after high school. Does this mean they have their crisis after they graduate from university and are now expected to be adults despite being in school since for 16 years and not really experiencing the full "adult world" yet unless they have had to under certain circumstances?
Is the quarter-life crisis why so many take a year off to travel or do whatever they please now once they finish 4 years of college or university?

I ask these things because I wonder about myself. I'm now newly involved in a masters program after having completed 5 years of university, entering into a new stage of adult learning with cohorts who are all older than myself. I feel like such a child and yet I am moving forward and being in an adult world, educationally speaking that is. My age is adult and so are my goals but my life still feels hinged and held back in a bit of lingering adolescence (emerging adulthood, as it were). 
And to be honest, I started thinking about all these things because recently I expressed that I only have a little time left to get away with doing things and blaming it on being "young and dumb". 

But why can't you act young and alive and grasp onto a childlike sense of wonder and excitement sometimes when you grow older? Does it all have to be serious?
Why can't I dance outside my school on the grass and in the sun to my favourite upbeat songs every morning as people walk by?
Why can't my friend and I decide to go on a trip purely to see one of our favourite bands on tour if they make us happy?
I think it all boils down to the fear of facing the world and having people put so many expectations and pressures on you at such a young age: you're supposed to know what you want to do with the rest of your life at 18 when you leave high school? You're supposed to have your life together in your early 20s? Let me tell you, all these people I have come to be humbled by and appreciate in my new school so far have had quite the diverse journeys to get to this point, so I really don't think we need to expect young people to have everything figured out so fast.

Plus, you are only as old as you think you are, right? Live while you're young, but also live like you are young regardless of what your biological/chronological age says. This is something I'm coming to learn now, even though, yes, I myself am still literally quite young at this moment. 
I am learning to put my fears behind me and appreciate everything in life at every stage, and I hope I can continue to grow in this way in the months and years to come.

(I'm not sure why I felt like writing all this at this time, but I did. And I feel good about it.)

Friday, June 6, 2014

#CBR6 Review #16: Spirituality and Art Therapy: Living the Connection by Mimi Farrelly-Hansen

An edited collection of essays from a number of different practicing art therapists, from a diversity of backgrounds. Each author presents a different view of art therapy practices, and stems from a different spiritual background, yet they all focus on the connection between creative expression, artistic practices, and the spiritual sense of the human soul. Ranging anywhere from Christianity to Buddhism to Spiritualities connected to the Natural world, the authors tell their personal stories, as well as those of clients that they have worked with, all using the arts to connect them with something greater outside of the self. In turn, discovery of the self and the spirit comes from relating and engaging in the artistic and spiritual world.

Now, this all may sound a little hokey to some, and I understand that: art therapy isn't for everyone. But for those that can really engage and connect to the process, it can be vital in providing a sense of healing, or at the very least, a release of some kind. This book definitely has it's ups and downs in terms of essays that really resonated with me, but all in all, I found myself understanding where the authors and artists were coming from. Being an artist and student of art therapy myself, it would reason that I would find Farrelly-Hansen's collection to be interesting and informative. For others, however, it may be a little dry or seem a little too whimsical. I just don't really know anymore, as when I speak to some about the idea of art therapy, they are incredibly receptive and see it as being a very useful practice. Yet when I speak to others, they are extremely skeptical about the whole thing, and think that it would be a waste of time. I suppose that is what this book would be like, as well: you might buy into it, you might not. Just like the whole concept of spirituality and the multitude of ways to look at that in itself, not even in relation to artistic practices.

One of my personal favourite instalments within the compilation was entitled "Each Time a New Breath" by Bernie Marek, which looked at the creative process through a Buddhist lens: the intake and outtake of experience, moment by moment, allowing things to be present as they need to be, and healing through having a sense of wholeness of the self, opening up to the rawness of our world and our experiences. 
I'm realizing that this review isn't coming across as helpful at all, is it? I guess all I can say is that I found Spirituality and Art Therapy: Living the Connection to be easy to read, and I can definitely see how it relates and will be helpful to my understanding of my studies (yes, this is once again a book I am reading for school). If you are interested in art therapy and how it relates to spirituality, then by all means, read it as well! I certainly found the personal stories included to be quite interesting. 

[Be sure to visit the Cannonball Read main site!]

Thursday, May 22, 2014

#CBR6 Reviews #13-15: Psychotherapy, Spirituality, Ethics, Art Therapy, and a Whole Number of Things...

They may technically be textbooks, but I read them from front to back. And considering how I’ve been powering through so many lately, the last thing I want to do when I have free time is read anything for myself, even something fun (guess that means more time for drawing One Direction fanart portraits… I mean… uh…??).

And so, here are my reviews #13-15, for the following books:
- Spiritual Care and Therapy: Integrative Perspectives by Peter Van Katwyk
- Ethical Issues in Art Therapy (2nd Ed) by Bruce Moon
- Issues and Ethics in the Helping Professions by Gerald Corey, Marianne Corey, and Patrick Callanan

Starting with the introductory-type book on Spirituality within the therapy profession by Peter Van Katwyk, the book did a good job of covering a number of topics largely focused on family systems and the integration of spirituality therein. There were a number of diagrams focused on helping styles and orientations that were well thought-out, but perhaps could have used a bit more explanation. For an introductory book, there seemed to be a lot of assumption that the reader would be reasonably versed in the language and concepts already.

Conversely, and to it’s great benefit, the Issues and Ethics in the Helping Professions text by Corey, Corey, and Callanan was written in a way that appeared to be sensitive to those who had little experience in the helping professions, but also included ideas and questions for those who were already involved in some areas of the field; this made it more applicable to the study and interest of a larger audience. In fact, despite the fact that this text was the longest, had the most technical information, and had the possibility to be the driest in terms of reading, I found it to be not only the most informative, but also the most engaging. When presenting a different range and types of ethical issues that both students and those working within counseling or psychology might face, the authors made sure to reiterate that they cannot give you all the answers for your ethical dilemmas, and that sometimes it depends on whatever body governs you wherever you work, but they did provide some helpful commentary and things to think about which might guide you in making ethical decisions. They also hit on points and issues that I never would have thought of in my current limited experience.

On the other side of the ethics coin was the text by Bruce Moon, on Ethical Issues in Art Therapy, which is the specialized stream that I am currently studying. Considering how art therapy itself is still quite an emergent field, the book was present in a similar manner to the one of Corey, Corey, and Callanan in that Moon made sure to state that he cannot give you any answers, and that you will need to determine the best course to take depending on the context and regulations of each case and ethical issue you face. However, he seemed to leave you out in the water a bit more to question what exactly you would do, without any real suggestions or things to consider. That is not to say that he didn’t pose questions to work through, but the whole book seemed to be an exercise in generating more questions and (for myself anyways) a bit of anxiety and rushing to look at the specific ethics codes that I will likely be following where I am from and for the bodies I will possibly be looking to in the future. However, I did leave reading this book with knowledge and awareness of some of the unique ethical issues and questions that art therapists might face in their field that those in other helping professions might not.

All in all, these texts were reasonably informative and helpful to me at this point in time, however, I definitely feel as though Issues and Ethics in the Helping Professions by Gerald Corey, Marianne Corey, and Patrick Callanan was the most well-presented, the most thorough, and yet somehow the easiest and least tiring to read despite its length as compared to the others.

[Be sure visit the Cannonball Read main site!]

Today I'm Loving: Ed Sheeran's 'One'

For that past few days, I have had Ed Sheeran's new song "One" playing on repeat: I absolutely love it, and it might be my favourite song of his to date. I know that his style of music is a little too mellow for some, but I adore him and think he's so talented and plays with words in such an interesting way. Consequently, I'm very excited new album X to come out next month, even though I'm told the reception to his song "Sing" from it has been a little mixed so far (Why? I couldn't tell you, because I think it's absolutely killer). 

In any case, here's Ed playing that song that I have been loving lately to an empty arena, and if you like it too then that makes me happy (and if you don't, well that's okay, I understand):


Thursday, May 1, 2014

#CBR6 Review #12: Locke & Key, vol. 4 – Keys to the Kingdom by Joe Hill and Gabriel Rodriguez

Just as the whole series of Locke & Key started out gruesome and somewhat upsetting, so does Keys to the Kingdom hit the same stride. Developments are made regarding the identity of the dark woman, and teenage hormones run wild as relationships are formed, splintered, patched, and ultimately scarred beyond ever returning to the way they were. And poor little Bode is left taking more hits than he should, as he is essentially left at the mercy of the actions of his siblings and the consequences of their decisions with the Keyhouse keys.

We begin with some seemingly normal issues for a family to have, with young Bode having difficulty making friends: the drawing style from his point of view is even more along the lines of a Calvin & Hobbes-esque story than the typical Locke & Key artwork. But things soon start getting tangled and dark, as the Locke children are attacked multiple times, in multiple forms all created by the Dark Lady. New keys keep getting found in the house, some of which are useful during these attacks, and some of which are dangerous. These include the skin-changing key, the angel key, the music box key, a key for strength, and a key that opens a door full of surprising things. More importantly, however, we begin to see how Kinsey might be regretting removing her tears (and in part, some of her emotional range), now that she likely cannot regain this aspect of herself.

As well, Tyler begins making strides in determining who the Dark Lady attacking them really is. Yet, as always, she (or, I guess, he) is always one step ahead of everyone else, leading to a bloody finale that only makes me want to know what is going to happen next.

I continue to be engaged by this series, in particular the section of this volume entitled “February” where the real chaos of the lives of the Locke family was shown, with day to day attacks and changes in their lives: it really captured how so much happens to us every day, not just physically or literally, but emotionally and internally. I don’t know when I’ll be able to read the next volume of Locke & Key, but plan on it as soon as I can.

[Be sure to visit the Cannonball Read main site]

Thursday, April 24, 2014

#CBR6 Review #11: Locke & Key, vol. 3 – Crown of Shadows by Joe Hill and Gabriel Rodriguez

I am very much enjoying the Locke & Key graphic novel series, and am so glad that my sister is letting me read them (even before she has a chance to)! The plot keeps moving along at a not-too-rapid pace, yet every volume is filled with new mysteries, developments, and dangers that this poor family has to face. I find it all to be so riveting, but then, this genre is really right up my alley. If you haven’t read any of the previous instalments of the series, you might be a loss as to my explanation coming up, but here’s what the 3rd volume holds:

 More pages turned in Locke & Key means more keys found at the Key house Estate, yet none of them seem to be the one to the “black door” that Zach/Lucas/Dodge is looking for (whatever his real name is). He is relentless in his search, looking to the ghost of Sam Lesser for help, and treading on the Locke children as they get in his way; he does this all while simultaneously maintaining a friendship with the children, who are still trying to piece their lives together after the loss of their father.

Within this third volume of Locke & Key, the Locke children are faced with a cold reality, and that is that they are alone: their mother is with them, but is she really there? The kids are beginning to realize that their mother cannot help them, and that they must turn to one another when they are threatened, and must work together to try and find the key that the mysterious woman in the well house was looking for, before she can find it.

Along with the new keys (the Giant Key, the Shadow Key, and the Mending Key) that we see in Crown of Shadows, we also begin to see the repercussions of Kinsey removing all the fear from her head in the previous volume: she is not afraid of telling her mother what she thinks about her behavior, and she sure isn’t afraid of social ostracism at school, which leads her to make some interesting new friends that may put a wrench in Zach’s plans to get close to her in order to get closer to his mysterious goals.

As I said before, this kind of story is definitely my kind of thing, and it feels incredibly original and refreshing, yet still so dark and eerie. If you are a fan of the graphic novel genre, I would definitely give it a look if you haven’t already.

[Be sure to visit the Cannonball Read main site!]